Anton Pavlovich Chekhov
Oysters
I need no great effort of memory to recall, in every detail, the rainy
autumn evening when I stood with my father in one of the more frequented
streets of Moscow, and felt that I was gradually being overcome by a strange
illness. I had no pain at all, but my legs were giving way under me, the words
stuck in my throat, my head slipped weakly on one side... It seemed as though,
in a moment, I must fall down and lose consciousness.
If I had been taken into a hospital at that minute, the doctors would have
had to write over my bed: Fames, a disease which is not in the manuals of
medicine.
Beside me on the pavement stood my father in a shabby summer overcoat and a
serge cap, from which a bit of white wadding was sticking out. On his feet he
had big heavy goloshes. Afraid, vain man, that people would see that his feet
were bare under his goloshes, he had drawn the tops of some old boots up round
the calves of his legs.
This poor, foolish, queer creature, whom I loved the more warmly the more
ragged and dirty his smart summer overcoat became, had come to Moscow, five
months before, to look for a job as copying-clerk. For those five months he had
been trudging about Moscow looking for work, and it was only on that day that
he had brought himself to go into the street to beg for alms.
Before us was a big house of three storeys, adorned with a blue signboard
with the word "Restaurant" on it. My head was drooping feebly backwards and on
one side, and I could not help looking upwards at the lighted windows of the
restaurant. Human figures were flitting about at the windows. I could see the
right side of the orchestrion, two oleographs, hanging lamps... Staring into
one window, I saw a patch of white. The patch was motionless, and its
rectangular outlines stood out sharply against the dark, brown background.
I looked intently and made out of the patch a white placard on the wall.
Something was written on it, but what it was, I could not see...
For half an hour I kept my eyes on the placard. Its white attracted my
eyes, and, as it were, hypnotised my brain. I tried to read it, but my efforts
were in vain.
At last the strange disease got the upper hand.
The rumble of the carriages began to seem like thunder, in the stench of
the street I distinguished a thousand smells. The restaurant lights and the
lamps dazzled my eyes like lightning. My five senses were overstrained and
sensitive beyond the normal. I began to see what I had not seen before.
"Oysters..." I made out on the placard.
A strange word! I had lived in the world eight years and three months, but
had never come across that word. What did it mean? Surely it was not the name
of the restaurant-keeper? But signboards with names on them always hang
outside, not on the walls indoors!
"Papa, what does 'oysters' mean?" I asked in a husky voice, making an
effort to turn my face towards my father.
My father did not hear. He was keeping a watch on the movements of the
crowd, and following every passer-by with his eyes... From his eyes I saw that
he wanted to say something to the passers-by, but the fatal word hung like
a heavy weight on his trembling lips and could not be flung off. He even took a
step after one passer-by and touched him on the sleeve, but when he turned
round, he said, "I beg your pardon," was overcome with confusion, and staggered
back.
"Papa, what does 'oysters' mean?" I repeated.
"It is an animal... that lives in the sea."
I instantly pictured to myself this unknown marine animal... I thought it
must be something midway between a fish and a crab. As it was from the sea they
made of it, of course, a very nice hot fish soup with savoury pepper and laurel
leaves, or broth with vinegar and fricassee of fish and cabbage, or crayfish
sauce, or served it cold with horse-radish... I vividly imagined it being
brought from the market, quickly cleaned, quickly put in the pot, quickly,
quickly, for everyone was hungry... awfully hungry! From the kitchen rose the
smell of hot fish and crayfish soup.
I felt that this smell was tickling my palate and nostrils, that it was
gradually taking possession of my whole body... The restaurant, my father, the
white placard, my sleeves were all smelling of it, smelling so strongly that
I began to chew. I moved my jaws and swallowed as though I really had a piece
of this marine animal in my mouth...
My legs gave way from the blissful sensation I was feeling, and I clutched
at my father's arm to keep myself from falling, and leant against his wet
summer overcoat. My father was trembling and shivering. He was cold...
"Papa, are oysters a Lenten dish?" I asked.
"They are eaten alive..." said my father. "They are in shells like
tortoises, but... in two halves."
The delicious smell instantly left off affecting me, and the illusion
vanished... Now I understood it all!
"How nasty," I whispered, "how nasty!"
So that's what "oysters" meant! I imagined to myself a creature like
a frog. A frog sitting in a shell, peeping out from it with big, glittering
eyes, and moving its revolting jaws. I imagined this creature in a shell with
claws, glittering eyes, and a slimy skin, being brought from the market... The
children would all hide while the cook, frowning with an air of disgust, would
take the creature by its claw, put it on a plate, and carry it into the dining-
room. The grown-ups would take it and eat it, eat it alive with its eyes, its
teeth, its legs! While it squeaked and tried to bite their lips...
I frowned, but... but why did my teeth move as though I were munching? The
creature was loathsome, disgusting, terrible, but I ate it, ate it greedily,
afraid of distinguishing its taste or smell. As soon as I had eaten one, I saw
the glittering eyes of a second, a third... I ate them too... At last I ate the
table-napkin, the plate, my father's goloshes, the white placard... I ate
everything that caught my eye, because I felt that nothing but eating would
take away my illness. The oysters had a terrible look in their eyes and were
loathsome. I shuddered at the thought of them, but I wanted to eat! To eat!
"Oysters! Give me some oysters!" was the cry that broke from me and
I stretched out my hand.
"Help us, gentlemen!" I heard at that moment my father say, in a hollow and
shaking voice. "I am ashamed to ask but - my God! - I can bear no more!"
"Oysters!" I cried, pulling my father by the skirts of his coat.
"Do you mean to say you eat oysters? A little chap like you!" I heard
laughter close to me.
Two gentlemen in top hats were standing before us, looking into my face and
laughing.
"Do you really eat oysters, youngster? That's interesting! How do you eat
them?"
I remember that a strong hand dragged me into the lighted restaurant.
A minute later there was a crowd round me, watching me with curiosity and
amusement. I sat at a table and ate something slimy, salt with a flavour of
dampness and mouldiness. I ate greedily without chewing, without looking and
trying to discover what I was eating. I fancied that if I opened my eyes
I should see glittering eyes, claws, and sharp teeth.
All at once I began biting something hard, there was a sound of
a scrunching.
"Ha, ha! He is eating the shells," laughed the crowd. "Little silly, do you
suppose you can eat that?"
After that I remember a terrible thirst. I was lying in my bed, and could
not sleep for heartburn and the strange taste in my parched mouth. My father
was walking up and down, gesticulating with his hands.
"I believe I have caught cold," he was muttering. "I've a feeling in my
head as though someone were sitting on it... Perhaps it is because I have
not... er... eaten anything to-day... I really am a queer, stupid creature...
I saw those gentlemen pay ten roubles for the oysters. Why didn't I go up to
them and ask them... to lend me something? They would have given something."
Towards morning, I fell asleep and dreamt of a frog sitting in a shell,
moving its eyes. At midday I was awakened by thirst, and looked for my father:
he was still walking up and down and gesticulating.
1884
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Notes
Fames: hunger (Latin).
Orchestrion: musical instument similar to a barrel-organ that imitates the
sounds of other instruments.
Oleographs: imitation oil paintings.
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